| Titre : | The Struggle for Being by Fadia Faqir The Cry Of The Dove |
| Auteurs : | HADDOU KHAOULA, Auteur ; Dr. D MEHDAOUI, Directeur de thèse |
| Type de document : | texte imprimé |
| Editeur : | Dr. Moulay Tahar University, Saida Faculty of Letters, Languages and Arts Department of English Language and Literature, 2023-2024 |
| Format : | 60p / CD |
| Langues: | Anglais |
| Catégories : | |
| Mots-clés: | Arab women , Fadia Faqir , Hypridity, Identity, Homi Bhabha |
| Résumé : | Arab literature and novels have become one of the topics to researchers due to their reflection the traditional norms that are controlled by Arab societies .man’s domination women and their excessive oppression against them become a famous topic in the Middle East. These brutal and oppressive acts occur in Islamic countries that should give precious value to women. The Cry of the Dove by Nadia Fakir transmits this image and reveals Selma’s struggle in front of triple subjugation. The domination of her father and brother and the humiliation she received in England when she tried to escape her family’s patriarchy. The aim of this study, thus, is to show the suffering of Jordanian women in particular and Muslim women in general . In addition, through using a descriptive approach and postcolonial theory, this research paper focuses on the importance of one’s identity here and there . Through using Homi Bhabha’s notion of hybridity , the study reveals the protagonist’s failure to survive in front of oppressive acts , disturbance, split and the absence of unity. |
| Note de contenu : |
Table of content
Dedications...................................................................................03 Acknowledgements................................................................... 04 Table of contents .........................................................................05 Abstract .....................................................................................07 General introduction .................................................................. 07 I Chapter One: Between Social and Literary Tradition ..............10 I.1 Introduction ..........................................................................11 I .2 Islam in Jordon.....................................................................11 I.3. Middle East War.....................................................................13 I.4 The Impact of the Middle East War on Arab women ....................14 I.5 Living in tribes......................................................................... 15 I.6 Tribalism................................................................................16 I .7 Women in Jordon ..................................................................17 I.8 Patriarchy...............................................................................18 I.9 Honor killing ...........................................................................20 I.10 Arab Women Writers...............................................................22 I.10.1 Early Contributions .........................................................23 I .10.2 Modern Era....................................................................23 I.10.3 Contemporary voices.......................................................24 I.11 Jordanian Women Writers .........................................................25 I.12 Conclusion ...............................................................................27 II. Chapter two: The Logical Resistance and Struggle ......................29 II.1 Introduction ...........................................................................30 II.2 Postcolonialism .....................................................................30 5 II.2.1 Postcolonial Literature ..........................................................31 II.2.2.Postcolonial Theory.............................................................31 II.3 Identity.....................................................................................32 II.3.1 The Self and The Other..........................................................32 II.4 Hybridity and Third space ..........................................................33 II .4.1 Hypridity........................................................................33 II.4.2 Third space.....................................................................34 II.5 The ambivalence and mimicry....................................................34 II.5.1 Mimicry ........................................................................34 II.5.2 Ambivalent....................................................................35 II.6 Feminism.................................................................................36 II.7 Western Feminism.....................................................................37 II.7.1 Three Waves of Western Feminism .........................................37 II.7.1.1The First Wave.....................................................................37 II.7.1.2The Second Wave ................................................................37 II.7.1.3 The Third Wave .................................................................37 II.8 Islamic Feminism......................................................................38 II.9 Arab Feminism .......................................................................39 II.10 Gender ..................................................................................40 II.11 Conclusion .............................................................................41 III. Chapter three: Breaking Women’s Challenge and Unity .............42 III.1 Introduction ...........................................................................43 III.2Echoes from the story ...........................................................43 III.3 Identity................................................................................44 III.4 Hypridity ............................................................................46 III .5 Mimicry ............................................................................48 III.6 Feminist and Honor Killing ..................................................49 6 III.7 Fadia’s shadow is Salma.......................................................50 III .8 Conclusion ..........................................................................51 General conclusion .......................................................................52 References ....................................................................................53 Glossary ......................................................................................59 Appendices ..................................................................................60 |
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