| Titre : | Hybridisation Between Horror Novel and Cult Movie:Intertexuality in Stephan King’s Novel It (1984) |
| Auteurs : | Houaria Faiza MOULAY, Auteur ; Dr. Hayat MOKEDDEM, Directeur de thèse |
| Type de document : | texte imprimé |
| Editeur : | Dr. Moulay Tahar University, Saida Faculty of Letters, Languages and Arts Department of English Language and Literature, 2023-2024 |
| Format : | 76p / CD |
| Langues: | Anglais |
| Catégories : | |
| Mots-clés: | Hybridization, Intertexuality, It by Stephan king , horror novel, Cult Movies theory, Kristiva Julia , Michale Bakhtin |
| Résumé : | Over the past few years, horror literature and movies have gained popularity among audiences. Both of them encompass various themes, from supernatural elements to exploring human nature. A lot of movies are adaptations of novels, showcasing the appeal of merging literature and cinema. This dissertation explores the hybridisation concept between cult movies and horror novels, focusing on Stephen King's "It" as a case study. This research will explore the relationship between intertextuality and hybridisation and how it enriches the storytelling experience. To do so, the theoretical framework will draw on Bakhtin's perspective on hybridisation and intertextuality while considering Julia Kristeva's view on the two elements. Umberto Eco's cult movie theory will be used to link hybridisation and intertextuality. The study will comprehensively examine the interplay between cinema and literature. Hence, the result demonstrates the complex connection between literature and cinema, where intertextuality and hybridisation create a captivating narrative that fully engages the audience. Combining elements from different sources creates an appealing storytelling experience that stays with the audience. |
| Note de contenu : |
Table of contents
Declaration Of Originality ........................................................................................................ III Dedication .................................................................................................................................IV Acknowledgement......................................................................................................................V Abstract .....................................................................................................................................VI General Introduction: ................................................................................................................. 0 Chapter I ................................................................................................................................. 5 a Historical Overview, Key Definitions and Principles ................................................ 5 I-I -Introduction :................................................................................................................ 6 I-II-Hybridization ............................................................................................................... 7 I-II-1-Hybridization as a concept: ...................................................................................... 7 I-II-2-Hybridity and Hybridization Transdisciplinary Approaches : ................................ 8 I-II-3-Hybridization in Literature :.................................................................................... 8 I-II-4-Bakhtin and Hybridity:............................................................................................. 9 I-III-Intertextuality ........................................................................................................... 10 I-III- 1-Intertextuality from Bakhtin to Kristina : ............................................................ 10 I-III-2-Intertextuality through the Lens of Other Theorists : ........................................... 12 I-IV- Culte Movie: ........................................................................................................... 13 I-IV-1-Cult Movie Criticism:........................................................................................... 15 I-V-The Horror Genre: ..................................................................................................... 16 I-V-1-Introduction to Horror :.......................................................................................... 16 I-V-2-Evolution of the Horror as a Literature Genre : ..................................................... 17 VIII The issue of the work: .............................................................................................................. 18 I-V- Conclusion :.............................................................................................................. 19 Chapter II: ........................................................................................................................... 20 Wandering through the Wonders of Literature and Cinematic Adaptations ............ 20 II-I -Introduction: ............................................................................................................. 22 II- II-Types of Intertextuality: .......................................................................................... 22 II-III-Intertextuality-Film -Hybridization: ....................................................................... 24 II-IV-Intertextuality -Novel-Hybridization:..................................................................... 25 II-V- Cult Movies: The Journey from the Novel to the Film:.......................................... 26 II-VI- The Horror genre as a cult movie : ........................................................................ 29 II-VI-1-Horrors subgenres: .............................................................................................. 30 II-VII-2-Elements of Horror:............................................................................................ 31 II-VIII-Stephen King's Cocoon: An Overview of Style of Writing ................................ 31 Chapter III......................................................................................................................... 35 The Magical Errand in 'It': The Opus and the Movie ............................................... 35 III-I-Introduction :............................................................................................................ 35 III-II-Enchantment and Fear: A Tale of the Characters in 'IT':........................................ 36 III-III- Weaving through 'It'/ the Movie and the Film: A Comparison of Themes, Motifs, and Tropes :...................................................................................................................... 40 III-IV-Analysis of how King incorporates element of suspense ,visual imagery,and narrative structure reminiscent of iconic horror films:..................................................... 47 III-V-Identification of Intertextuality References and Influences:................................... 50 III- VII-Identification of hybridization references and influences:.................................. 58 Conclusion :.............................................................................................................................. 62 Notes ..................................................................................................................................... 64 IX Notes: ....................................................................................................................................... 65 References............................................................................................................................... 68 References................................................................................................................................ 69 Appendices............................................................................................................................... 74 |
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