| Titre : | A POSTCOLONIAL READING OF Wide Sargasso “Sea by Jean Rhys” |
| Auteurs : | Nour El Houda HAMOU, Auteur ; P/LLA Dr. Djamila MEHDAOUI, Directeur de thèse |
| Type de document : | texte imprimé |
| Editeur : | SAIDA [ALGERIE] : 1- University of Saida - Dr. Moulay Tahar / Faculty of Letters, Languages and Arts Department of English Language and Literature, 2021-2022 |
| Format : | 50p / 27cm |
| Accompagnement : | CD |
| Langues: | Anglais |
| Catégories : | |
| Note de contenu : |
Declaration of Originality ...................................................................................................................... I
Dedication ..................................................................................................................................................... II Acknowledgements ................................................................................................................................... III Abstract ......................................................................................................................................................... IV General Introduction ............................................................................................................................... 1 Chapter One: Between the Literary and Historical Zones I.1. Introduction ........................................................................................................................................... 4 I.2. Jean Rhys and her Style of Writing ............................................................................................... 4 I.3. The Caribbean between Beauty, Pain and Creation …………………………………………. 5 I.4. Dominica as a Microcosm of the Caribbean …………………………………………………... 7 I.5. Slave Trade as a Permanent Evil …………………………………………………………………. 8 I.5.1. Slavery as a Parasite ……………………………………………………………………………. 8 I.5.2. Women Slaves Status ………………………………………………………………………….. 10 I.5.3. Slave Emancipation ……………………………………………………………………………. 11 I.6. Caribbean‟s Creative Mirror ……………………………………………………………………… 12 I.6.1. Questions of Interests ………………………………………………………………………….. 13 I. 6. 2. Examples of West-Indian Literature ………………………………………………………. 13 I.6.3. African Literature as a Source of Inspiration …………………………………………….. 13 I.6.4. Caribbean Women Writers …………………………………………………………………… 15 I.7. Conclusion ……………………………………………………………………………………………. 16 Chapter Two: Between a Postcolonial Theoretical and Conceptual Issues II.1. Introduction .......................................................................................................................................... 18 II.2. Postcolonialism ................................................................................................................................... 18 II.3. Post colonial Theory .......................................................................................................................... 21 II.3.1. Homi Bhabha ................................................................................................................................ 23 II.3.1.1 Hybridity ................................................................................................................................. 23 II.3.1.2 Mimicry ................................................................................................................................... 25 II.3.2 Edward Said ................................................................................................................................... 26 II.3.3. Frantz Fanon .................................................................................................................................. 27 II.4. Post-Colonial Feminist Theory ...................................................................................................... 28 II.4.1. Ania Loomba ...................................................................................................................... ........ 29 II.4.2. Gayatri Spivak .............................................................................................................................. 29 II.4.2.1. The Subaltern Subject .......................................................................................................... 30 II.5. The Other .............................................................................................................................................. 30 II.6. Post-colonial Literature .................................................................................................................... 31 II.7. Conclusion ........................................................................................................................................... 33 Chapter Three: A Postcolonial Reading to Wide Sargasso Sea III.1. Introduction ........................................................................................................................................ 35 III.2. Wide Sargasso Sea ........................................................................................................................... 35 III.3. Hint from the Novel ......................................................................................................................... 36 III.4. Postcolonial Reading to Wide Sargasso Sea ………………………………………………… 37 III.4.1. The colonizer/colonized …………………………………………………………………….. 38 III.4.2. Displacement and Belonging ………………………………………………………………. 38 III.4.3. The Fanonian Ambivalence ………………………………………………………………… 39 III.4.4. Mimicry to a Solution to Identity Crisis …………………………………………………. 41 III.4.5. The Other and Orientalism …………………………………………………………………. 42 III.4.6. Hybridity and In –Betweeness …………………………………………………………….. 45 III.4.7. The Subalterns Characters ………………………………………………………………….. 46 III.4.8. Resistance and Freedom …………………………………………………………………….. 47 III.5. The symbols ........................................................................................................................................ 47 III.5.1. Sargasso Sea ................................................................................................................................ 47 III.5.2. Christophine: a Symbol of the Oppressed and Rebellious Blacks ………………….. 47 III.6. Conclusion .......................................................................................................................................... 49 General Conclusion …………………………………………………………………………………….. 51 Glossary ......................................................................................................................................................... 54 Bibliography ................................................................................................................................................ 56 Appendices ................................................................................................................................................... 60 |
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