| Titre : | Re-writing History in Michelle Cliff’s No Telephone to Heaven |
| Auteurs : | GUERROUDJ Fatima Zohra, Auteur ; P/LLA Dr. Djamila MEHDAOUI, Directeur de thèse |
| Type de document : | texte imprimé |
| Editeur : | SAIDA [ALGERIE] : 1- University of Saida - Dr. Moulay Tahar / Faculty of Letters, Languages and Arts Department of English Language and Literature, 2021-2022 |
| Format : | 50p / 27cm |
| Accompagnement : | CD |
| Langues: | Anglais |
| Catégories : | |
| Note de contenu : |
Table of Content
Declaration of Originality ________________________________________________ II Dedication ____________________________________________________________ III Acknowledgements ______________________________________________________ IV Abstract _______________________________________________________________ V Table of Content ________________________________________________________ VI List of Appendices ____________________________________________________ VIII GeneralIntroduction ______________________________________________________ 2 Chapter One: Opposing the Logic of Power __________________________________ 5 I.1 Introduction _________________________________________________________ 6 I.2Post-colonialism as a Figure of Struggle ___________________________________ 6 I.3Post-colonial Theory and Diverse Areas of Concern __________________________ 8 I.3.1 Homi Bhabha ____________________________________________________ 9 I.3.1.1 Mimicry _____________________________________________________ 9 I.3.1.2 Hybridity ___________________________________________________ 10 I.3.1.3 Binarism ____________________________________________________ 10 I.3.2Frantz Fanon ____________________________________________________ 10 I.3.3 Edward Said ____________________________________________________ 11 I.4Postcolonial Feminist Theory ___________________________________________ 12 I.4.1Gayatri Chakaravotry Spivak _______________________________________ 13 I.4.2Ania Loomba ____________________________________________________ 13 I.5Postcolonial Literature as a Significant Weapon ____________________________ 14 I.6 A New Portrait of Women _____________________________________________ 15 I.7Between Feminism‟s Lenses and History _________________________________ 17 I.7.1 Indo-Caribbean Feminism _________________________________________ 17 I.7.2 Afro-Indo Caribbean Feminism _____________________________________ 18 I.8 Conclusion _________________________________________________________ 18 Chapter two: The Jamaican Experience at all Levels __________________________ 19 II.1 Introduction _______________________________________________________ 21 II.2 A Brightening Personality for Intellectual Struggle _________________________ 21 II-3 Literary Works for Resistance _________________________________________ 22 II-4 Michelle Cliff and Rewriting History ___________________________________ 23 II-5 Michelle Cliff‟s Writing Style _________________________________________ 24 II.6The Jamaican History ________________________________________________ 24 II.6.1 Planters and Slaves ______________________________________________ 25 VII II.6.2 Slaves under Terrible Conditions of Life _____________________________ 25 II.6.3 Exports and Internal Strife _________________________________________ 26 II.7 Jamaica as an Independent and Economic Spot ____________________________ 27 II.7.1 Agriculture _____________________________________________________ 27 II.7.2 Resources and Power _____________________________________________ 27 II.8 West-Indian Literature _______________________________________________ 28 II.8.1 Examples from the West-Indian Litrerary Arena _______________________ 30 II.8.2 West-IndianWomen Literature _____________________________________ 30 II.8.3 Women & Female Characters in West Indian Literature _________________ 32 II.9 Music as a Tool of Resisting the Ravages of History _______________________ 32 II-10 Conclusion _______________________________________________________ 33 Chapter Three: Under Western Strategies and Ideologies ______________________ 34 III-1 Introduction ______________________________________________________ 38 III.2 Clare Savage Between two Fictional Narratives __________________________ 38 III.2.1. Abeng _______________________________________________________ 39 III.2.2 No Telephone to Heaven _________________________________________ 40 III.3 In-Between Characters ______________________________________________ 40 III.3.1 Clare Savage and the Disturbed Psychology __________________________ 41 III.3.2 Kitty as an Outsider _____________________________________________ 42 III.3.3 Harry/Harriet in- between Man and Woman __________________________ 43 III.4 Postcolonial Issues _________________________________________________ 44 III.4.1 Recreating History ______________________________________________ 45 III.4.2.Between Personal and National Identity _____________________________ 46 III.4.3 Whiteness/Blackness ____________________________________________ 48 III.5 The Narrative Technique ____________________________________________ 48 III.6 Conclusion _______________________________________________________ 49 General Conclusion ______________________________________________________ 50 Glossary _______________________________________________________________ 53 Appendices _____________________________________________________________ 55 Works Cited ____________________________________________________________ 60 |
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