| Titre : | Cultural Translation and representation and Historical Trauma in Susan Abulhawa’s Mornings in Jenin |
| Auteurs : | Amina Megherbi, Auteur ; P/ LLA Dr. Nawel Meriem OUHIBA, Directeur de thèse |
| Type de document : | texte imprimé |
| Editeur : | SAIDA [ALGERIE] : 1- University of Saida - Dr. Moulay Tahar / Faculty of Letters, Languages and Arts Department of English Language and Literature, 2025-2026 |
| Format : | 45p / 27cm |
| Accompagnement : | +CD-ROM |
| Langues: | Anglais |
| Catégories : | |
| Note de contenu : |
Table of Contents
Dedication ............................................................................................................................ i Acknowledgments............................................................................................................... ii Abstract ..............................................................................................................................iii General Introduction ........................................................................................................... 1 Chapter One Theoretical and Conceptual Framework 1.1. Introduction ........................................................................................................... 4 1.2. Cultural Representation and Cultural Translation Theory in Literary Studies ..... 4 1.3. Culture, Identity and Representation..................................................................... 5 1.4. Trauma Theory and Post-Colonial Literature ....................................................... 7 1.5. Narrative, Memory and Trauma Transmission ................................................... 11 1.6. Conclusion........................................................................................................... 13 Chapter Two Cultural Translation in “Mornings in Jenin” 2.1. Introduction ............................................................................................................ 15 2.2. Cultural Translation and the Representation of Palestinian Cultural Identity ....... 15 2.3. Language, Cultural Markers, and the Translation of Cultural Meaning ................ 17 2.4. Narrative Strategies and Cultural Mediation in Mornings in Jenin ....................... 18 2.5. Conclusion.............................................................................................................. 23 v Chapter Three Historical Trauma and Memory in “Mornings in Jenin” 3.1. Introduction ............................................................................................................ 25 3.2. The Nakba and Collective Memory ....................................................................... 25 3.3. Intergenerational Trauma and Identity Fragmentation .......................................... 28 3.4. Translating and Representing Palestinian Suffering for a Global Audience ......... 32 3.5. Conclusion.............................................................................................................. 35 General Conclusion........................................................................................................... 37 Works Cited ...................................................................................................................... 52 Résumé.............................................................................................................................. 57 |
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Documents numériques (1)
BUC-M 011166 Adobe Acrobat PDF |
